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New Orleans, Louisiana, United States (1970 – present)
Master P lived in New Orleans' infamous Calliope Projects as a child. He has two brothers, Vyshonn (rapper Silkk the Shocker) and Corey (rapper C Murder). His parents divorced, and he split his time between his father's family in New Orleans, and his mother in Richmond, California. He attended the University of Houston on a basketball scholarship, but left and returned to Richmond to live with his mother and study business at Merritt Junior College in nearby Oakland.
In 1989… read more
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| Rank | Play | Loved | Track name | Buy | Options | Listeners |
|---|---|---|---|---|---|---|
| 1 | Make 'Em Say Ugh | 63 listeners | ||||
| 2 | Burbons and Lacs | 38 listeners | ||||
| 3 | Pass Me Da Green | 28 listeners | ||||
| 4 | Bout It, Bout It II | 17 listeners | ||||
| 5 | Ghetto D | 16 listeners | ||||
| 6 | I Miss My Homies | 12 listeners | ||||
| 7 | Mr. Ice Cream Man | 12 listeners | ||||
| 8 | Let's Get 'Em | 11 listeners | ||||
| 9 | Make Em Say Uhh #2 | 8 listeners | ||||
| 10 | Break 'Em Off Somethin' | 8 listeners |
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Master P Da Last Don Album Download Zip
29 Songs, 1 Hour 46 Minutes
EDITORS’ NOTES
Da Last Don represented Master P’s No Limit empire at its absolute zenith. With a guest list that showcases almost all of the label’s heavy hitters, P’s double-album colossus also serves as a primer for a label riding a creative surge in 1998. Produced almost entirely by No Limit’s in-house production team of KLC, Mo B. Dick, and Craig B, the best songs —“Hot Boys & Girls,” “Eternity,” “So Many Souls Deceased,” and “Let My 9 Get ‘Em”— showcase a biting claustrophobia that was a direct reflection of life in the New Orleans ghetto. There are moments of striking, if pessimistic, lucidity like P’s verse on “Black & White:” “And tell me Hilfiger discriminate and sell us clothes / But we can't blame him ‘cause we don't support the black stores.” Though P’s sometimes-wearisome flow might be a bit too derivative of Tupac, the album is amazingly focused and consistent, especially considering all the criticism that has been thrown at No Limit over the years. With appearances ranging from the Midwest (Bone Thugs-N-Harmony) to the West Coast (Snoop Dogg, E-40) to Texas (UGK), Da Last Don proves that for a fleeting moment, No Limit wasn’t just an influential label but a nationwide movement.
EDITORS’ NOTES
Da Last Don represented Master P’s No Limit empire at its absolute zenith. With a guest list that showcases almost all of the label’s heavy hitters, P’s double-album colossus also serves as a primer for a label riding a creative surge in 1998. Produced almost entirely by No Limit’s in-house production team of KLC, Mo B. Dick, and Craig B, the best songs —“Hot Boys & Girls,” “Eternity,” “So Many Souls Deceased,” and “Let My 9 Get ‘Em”— showcase a biting claustrophobia that was a direct reflection of life in the New Orleans ghetto. There are moments of striking, if pessimistic, lucidity like P’s verse on “Black & White:” “And tell me Hilfiger discriminate and sell us clothes / But we can't blame him ‘cause we don't support the black stores.” Though P’s sometimes-wearisome flow might be a bit too derivative of Tupac, the album is amazingly focused and consistent, especially considering all the criticism that has been thrown at No Limit over the years. With appearances ranging from the Midwest (Bone Thugs-N-Harmony) to the West Coast (Snoop Dogg, E-40) to Texas (UGK), Da Last Don proves that for a fleeting moment, No Limit wasn’t just an influential label but a nationwide movement.
| TITLE | TIME |
|---|
- 29 Songs, 1 Hour 46 Minutes
- Released: Jun 2, 1998
- ℗ 1998 Priority Records, LLC
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